Panasonic Lumix G10 Colour Correction Test
Heres a test we tried for the panasonic G10. We wanted to see what the footage would look like with some basic colour correction. Brought To You ...
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Panasonic Lumix DMC-G10 Body
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Sony announces high-end NEX-7 interchangeable lens compact camera
Janice Chen is an editorial consultant and has been covering technology for over two decades. Serving as editor in chief at CNET and Computer Shopper magazine for many years, she oversaw product coverage for the CNET and ZDNet websites. She has appeared on most of the major morning TV news programs and was featured weekly on CNN Headline News' Hotwired segment recommending personal tech ranging from digital cameras to notebook PCs. Prior to that, she appeared with Anderson Cooper on a monthly technology segment for ABC World News This Morning. Quoted in numerous publications such as the New York Times, USA Today, and People magazine, Janice has also evaluated tech products for BusinessWeek, USA Weekend magazine, and Parenting magazine among others.
Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since. A graduate of Cornell University, she resides in Maplewood, NJ, with her husband (a professional photographer who shot his last roll of film in 2003) and their two daughters.
Panasonic Lumix DMC-G2 review | LilChinny
The trickle of intermediate SLD (single lens direct view) cameras of last year has turned into a torrent this year, with several new models from Samsung, Sony and Olympus hitting the market. Panasonic’s gambit this year comprises two Micro Four Thirds cameras: the Panasonic Lumix DMC-G10 , which we’ve already reviewed, and this, the pricier and more fully featured Lumix DMC-G2.
To look at, the G2 isn’t much of a departure from its more affordable cousin. It looks like a more compact version of a DSLR, a feat it achieves (as all SLD cameras do) by shrinking the distance between lens and sensor, and removing the optical viewfinder. The body is clad in the same disappointingly cheap-feeling resin plastic, and it’s all but identical in appearance.
Under the hood, it uses the same 12.1-megapixel 4/3in sensor, and many of the rest of the specifications and capabilities are the same too, including the 14-42mm f/3.5-5.6 kit lens, and pop up GN11 flash.
Look closer, however, and critical differences do begin to appear, the first being that the electronic viewfinder is far superior. Where the G10’s EVF sported a lowly 202k resolution, the one in the G2 is seven times the resolution at 1,440k, and it makes focusing and framing shots in bright conditions much, much easier.
We’d go so far as to say it’s the best EVF we’ve used in a camera of its type, and it’s also improved by the addition of a sensor to the right, which turns it on when you lift the camera to your eye and switches it off when you look away.